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result(s) for
"Organ (Musical instrument) History"
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Johann Scheibe
by
LYNN EDWARDS BUTLER
in
18th century
,
Bach, Johann Sebastian, 1685–1750
,
Bach, Johann Sebastian,-1685-1750-Friends and associates
2022
In his nearly forty-year career, Johann Scheibe became Leipzig's
most renowned organ builder and one of the late Baroque's masters
of the craft. Johann Sebastian Bach and Johann Kuhnau considered
Scheibe a valued colleague. Organists and civic leaders shared
their high opinion, for Scheibe built or rebuilt every one of the
city's organs.
Drawing on extensive research and previously untapped archival
materials, Lynn Edwards Butler explores Scheibe's professional
relationships and the full range of his projects. These assignments
included the three-manual organ for St. Paul's Church, renovations
of the organs in the important churches of St. Thomas and St.
Nicholas, and the lone surviving example of Scheibe's craft, a
small organ in the nearby village of Zschortau. Viewing Scheibe
within the context of the era, Butler illuminates the music scene
of Bach's time as she follows the life of a gifted craftsman and
his essential work on an instrument that anchored religious musical
practice and community.
Bach's Feet
2012
The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents a new interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.
The Organ As a Mirror of Its Time
2002
Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. The Organ as a Mirror of its Time, the first book to consider this instrument's historical and cultural significance, reflects the efforts of twenty leading scholars of the organ. The book chronicles the history of six organs in Scandinavia and Northern Germany, at least one specimen for every century from 1600 to the present. By considering their original contexts and their histories since they were built, as well as the extraordinary coincidences that link them together, the book offers a unique perspective on the cultural history of northern Europe. A CD with appropriate repertoire played on each of the six instruments accompanies the book.
The Organs of J.S. Bach
by
Christoph Wolff, Markus Zepf / Lynn Edwards Butler
in
MUSIC
,
Musical Instruments
,
Organ (Musical instrument)
2011,2012,2014
The Organs of J. S. Bach is a comprehensive and fascinating guide to the organs encountered by Bach throughout Germany in his roles as organist, concert artist, examiner, teacher, and visitor. Newly revised and updated, the book's entries are listed alphabetically by geographical location, from Arnstadt to Zschortau, providing an easy-to-reference overview. Includes detailed organ-specific information: high-quality color photographs each instrument's history, its connection to Bach, and its disposition as Bach would have known it architectural histories of the churches housing the instruments identification of church organists Lynn Edwards Butler's graceful translation of Christoph Wolff and Markus Zepf's volume incorporates new research and many corrections and updates to the original German edition. Bibliographical references are updated to include English-language sources, and the translation includes an expanded essay by Christoph Wolff on Bach as organist, organ composer, and organ expert. The volume includes maps, a timeline of organ-related events, transcriptions of Bach's organ reports, a guide to examining organs attributed to Saxony's most famous organ builder Gottfried Silbermann, and biographical information on organ builders. Publication of this volume is supported by the American Bach Society.
Water-Driven Music Technologies through Centuries
2021
Water-driven music technology has been one of the primary sources of human leisure from prehistoric times up until the present. Water powered, along with air pressure organs, have been used throughout history. One of them was an organ of fountains located inside a formal garden. Throughout ancient mythology, several different gods have been linked to music in many civilizations, in particular, Minoa, Mehrgarh, and Gandhara. Water deities were usually significant amid civilizations located next to a sea or an ocean, or even a great river like the Indus River in Pakistan, the Nile River in the Middle East or the Ganga River in India. These fountains performed a wide range of songs from Classical to contemporary Arabic, and even included other worldly music. The study of water-driven music technology demonstrates the diachronic evolution and the revelation that ancient people had impressive knowledge of the engineering needed for water exploitation and manipulation. This revelation is still both fascinating and intriguing for today’s water engineers. This paper also shows the relationship between water in nature and music, and furthermore, how nature has inspired composers throughout history. This research shows the sustainability of different kinds of water-driven musical instruments, not only through their use in past centuries, but their relevance in music therapy and other purposes of today. This study is useful for researchers in the fields of history, music, engineering and sustainable development.
Journal Article
Squeeze This
2012,2015
No other instrument has witnessed such a dramatic rise to popularity--and precipitous decline--as the accordion. Squeeze This! is the first history of the piano accordion and the first book-length study of the accordion as a uniquely American musical and cultural phenomenon._x000B__x000B_Ethnomusicologist and accordion enthusiast Marion Jacobson traces the changing idea of the accordion in the United States and its cultural significance over the course of the twentieth century. From the introduction of elaborately decorated European models imported onto the American vaudeville stage and the instrument's celebration by ethnic musical communities and mainstream audiences alike, to the accordion-infused pop parodies by \"Weird Al\" Yankovic, Jacobson considers the accordion's contradictory status as both an \"outsider\" instrument and as a major force in popular music in the twentieth century. _x000B__x000B_Listen to an interview with Marion Jacobson on WNYC: _x000B__x000B__x000B__x000B_Drawing on interviews and archival investigations with instrument builders and retailers, artists and audiences, professionals and amateurs, Squeeze This! explores the piano accordion's role as an instrument of community identity and its varied musical and cultural environments. Jacobson concentrates on six key moments of transition: the Americanization of the piano accordion, originally produced and marketed by sales-savvy Italian immigrants; the transformation of the accordion in the 1920s from an exotic, expensive vaudeville instrument to a mass-marketable product; the emergence of the accordion craze in the 1930s and 1940s, when a highly organized \"accordion industrial complex\" cultivated a white, middle-class market; the peak of its popularity in the 1950s, exemplified by Lawrence Welk and Dick Contino; the instrument's marginalization in the 1960s and a brief, ill-fated effort to promote the accordion to teen rock 'n' roll musicians; and the revival beginning in the 1980s of the accordion as a \"world music instrument\" and a key component of cabaret and burlesque revivals and pop groups such as alternative experimenters They Might Be Giants and polka rockers Brave Combo._x000B__x000B_Loaded with dozens of images of gorgeous instruments and enthusiastic performers and fans, Squeeze This! A Cultural History of the Accordion in America represents the accordion in a wide range of popular and traditional musical styles, revealing the richness and diversity of accordion culture in America.